Architecture / Design / Art
StrangeHarvest is written and collated by Sam Jacob.
Letters From The Pantheon
"You can't type letters in the Pantheon," says Phillip Johnson in an archive interview recently posted to the Guggenheims website. It's the last line in a comparison he is making between two big architectural spaces. First, the monumental, hyper-geometric space of the Pantheon and secondly, the beautiful, beaurocratic space of Frank Lloyd Wrights Johnson Wax headquarters in Racine, WI - a place explicitly designed to type letters in. While officious guards might have a problem with you setting up a desk in the Pantheon, it's not physically impossible to write letters there, only unlikely. We can make a pretty good guess at the kind of letters written from the HQ of a global cleaning product company. But what might the content of letters from the Pantheon be? We might imagine letters from the Pantheon to be something of another order, as the typist sits under the oculus of the most terrifyingly totalising space the history of architecture has produced. Despite what Johnson says (or even because of what Johnson says), the Pantheon is the perfect place to write letters - at least letters about architecture. These would be letters written from the deep heart of history and canon of architecture - but equally an act of transgression (at least in Johnsons eyes). Just like Tschumis 'Adverts for Architecture' (sample copy: "To experience architecture you may even need to commit murder: Murder in the street differs from murder in the cathedral in the same way love in the street differs from the Street of Love"), the act of typing in the Pantheon would be an architectural act itself. And the writing it might produce might be half overwhelmed by the sublime sci-fi singularity of the Pantheon. Or buried deep in another time. But most of all, these letters would be the result of some strange speculative architectural act. Of course, this is an elaborate metaphor to underline the importance of writing from front line, of what we might call 'embedded criticism', or writing as an architectural act in and of itself. It is markedly different from detached, professional critics, whose duty is to explain, be topical, contextualise - essentially a form of writing whose form is prescribed within a received form: of journalism, of criticism or of the academy. These are positions in which the author is distanced from the subject. Distanced by time - writing before or after the architectural act; distant geographically; distant socially. That's why we can argue for the importance of architects writing their own histories, publishing their own agendas and documenting their own landscapes. By confusing (or fusing) production, reproduction and dissemination with the practice of architecture an expanded, speculative field opens up. 
Posted by anothersam at September 11, 2009 10:45 PM.
Contents:
More Scenes In Cartoon Deserta
Generic Powerpoint Template: Delivering Bad News
The Best New Building In London
Book Review: The Infrastructural City
The Michael Jackson Monument Design Competition
Now Showing: John Baldessari Sings Sol LeWitt
Obscure Design Typologies: Life Guard Chairs
Osama bin Laden Cigarette Lighter: Novelty Products as Congealed Culture
Absurd Car Crashes: A Eulogy for J.G. Ballard
Now Showing: Dan Grahams 'Rock My Religion'
This Concrete 'O': On Serotonin, the M25, and the Motorik Picturesque
Church of the Literal Narrative
Philadelphias Floating Architecture
Now Viewing: Married To The Eiffel Tower
Le Corbusiers Image Hoard: Poeme Electronique
Giant American Signs: Original Learning from Las Vegas Footage
Giant Soviet Signs Cut Into Forests
Bricks Melted Into Icicles: Napalm Decorative
C-Labs 'Unfriendly Skies' & 'Bootleg' Volume
2 The Lighthouse: Self Storage & Architectural Hallucinations
Ceci N'Est Pas Une Pipe: Infrastructure as Architectural Subconcious.
Viva Sectional Cinematography!
Now Showing: The Installation of an Irreversible Axis on a Dynamic Timeline
Sim Seasons Greetings! The Rise of Neo-Winter
Geography in Bad, Festive Drag.
Simulations of Industry: High Tech Architecture and Thatcherism
From The Factory to the Allotment: Tony Wilson, Urbanist
Koolhaas HouseLife / Gan Eden: The Revenge of Architectural Media
Ruburb-ric: The Ecologies of the Farnsworth House
Telly Savalas Looks At Birmingham Redux
Acts of Un-Building: Timelapse Demolitions
Yard Filth: Next Years Hot Look
Stonehenge: A Black Hole At The Heart Of British Architecture
The Popemobile: Mechanised Robes & Motorised Architecture
The Secret Language of Surface
Information Fields: Agriculture as Media
My Bloody Valentine: Sound as Substance
A Cubist Copse: Gehrys Serpentine Pavilion
Spouting Off: Some Thoughts On The Fountainhead
Form Follows Dysfunction: Bad Construction & The Morality of Detail
Vintage Tradeshow Surrealism: International Grune Woche
Moving Houses: Buildings In Motion
Desktop Study: The Strange World of Sports Studio Design
Married to the Eiffel Tower: More Objectum Sexuals
60 Years of The Crazy Horse Memorial
Married to the Berlin Wall: "The Best and Sexiest Wall Ever Existed!"
Inflatable Icebergs: Sublimated Guilt Has Never Been So Fun
The Cinderella Effect: Phantom Architectures of Illumination
Two Deaths and a Retirement: The Strange Shape of British Architecture
If London Were Like New York: Antique Schizo-Manhattanism
If London Were Like Venice: Antique Geo-Poetic Speculations and Hydro-Fantasy
41 Hours in an Elevator: The Movie
NASA: Mapping the Moon with Sport
Lemon Squeezy: Design Tendencies after the Juicy Salif
The Nihilistic Beauty of Weapons Arranged in Patterns
Dogs: Britains Greatest Design Obsession
Detroit Sucks: The Motor Shows Last Gasp
Authentic Replicas: Football and the Franchising of Place
Folk Football: Landscape, Space and Abstraction
A Wishing Well with a Fat Up Pipe
The Camoufluers and the Day-Glo Battleship
Pseudoccino: Instant Coffee Foam
Blown Up: More Inflatable Military Stuff
On Christmas Trees, Folk Forests and Staples Office Supplies
Hampton Courts Shrouded Sculptures
Named Fabric: 20 Sponsored Pieces of Architecture at the New Museum
Form Follows Felony: The Secret Home of the Un-Dead Canoeist.
Architectural Magazines: Paranoid Beliefs, Public Autotheraphy - More on Clip/Stamp/Fold
James Bond Lives Next Door: Suburban Imagery as Industry
The Ghost of Christmas Futurism
Chapters for an Imaginary Book About Architecture
Shrouded Plinth - Urban Striptease
In the Night Garden - Surreal Landscape of Nostalgia
Kim Jong II, The Great Architect
Place Faking: Instant Heritage for the Thames Gateway
The Marc Bolan Memorial Crash Barrier.
Enjoy The Silence: Bose Noise Cancelling Headphones
Telly Savalas Looks At Birmingham
In Search of Britains Vehicular History
Scary Suburbanism: Why Horror is at Home in the Suburbs
I Like Your Manifesto, Lets Put it to the Test-o
How to Become a Famous Architect
Northampton - Sci-fi Pop Planning Promotion
Advertising Central Milton Keynes
The Velvet Underground at the Glass House
Duplikate: Kate Moss on the Production Line of Individuality
Hollow Inside: Starbucks Foam and the Rise of Ambiguous Materials
Revisions to the Architecture of Hell
Crufts: Dogs, Design and Aesthetic Genetics
Eos Airlines: Executive Bubbles over the Atlantic
Google Earths Vertiginous Mapping
Church of the Ascension and Descension
Reyner Banham Loves Los Angeles
Reading Lines: Skateboarding and Public Space
Chris Cornish: Prototyping History
The Most Visited Location in the UK
Anything to Feel Weightless Again: The Cargo Lifter and the Tropical Island Resort
'Its beauty will know no season'
2000 Years of Non Stop Nostalgia. Or How Half Timbering Made Me Whole Again.
Backpeddling into the Future: The Historical-Futurism of British Architecture
Miss Selfridges' Feeling for Fake Snow. The Oxford St. Lights and Why We Need Artificial Winter
New Tory Logo: A Hazy Shade of Politics
Jeff Koons, Rem Koolhaas, Hans Ulrich Obrist at the Serpentine
Celebrity Scents: The Bittersweet Smell of Success
Imperfect Pitch - Football, Space and Landscape
Product Placement: Making the Impossible Possible
Suburban Growth: Matthew Moores Field of Dreams
Perfect Sound Forever: The Secret Function of High End Stereos
A Little Light Product Placement
Some Advice To A Young Designer
Useless Proclamations for a Beautiful City
Topsy Turvy VSBA: Inverted Heros of an Upside Down Avant Guard
Everything Flows: ideological cartography
How Geostationary Was My Valley?
The Psychotic Utopia of the Suburbs and the Suburbanisation of War.
In a Lonely Place - Under Construction
Mach 3 Nitro Gel - Design that's foaming at the mouth.
Marchitecture. Architectural things to do in London this March
What happens when you cross a pen with a car?
Football Pitch: Best of British
The First Cut is the Cheapest - Blenheim Palace: pop architecture that goes for the jugular
Holiday Snap II : Giant Glowing French Balls
Holiday Snap: Canadian War Memorial, Vimy, France
Anatomy of an Architectural News Story
Its All About the Big Benjamins
Poundbury, unexpectedly, in the rain
The Exploding Concrete Inevitable. Lou Reed and the Casa da Musica
Untitled (Plastic Sack and Timber)
Berlin 1945 - The Obscene Picturesque
Interview: Jeremy Deller & Alan Kane
An Incredible Smell of Roasting Coffee
Langlands & Bell - The House of Osama Bin Laden
Architectural Criticism gets Sharp
Venturi, Scott Brown and my love that dare not speak its name.
Douglas Coupland: Design and Fiction
Christopher Dresser at the V&A
Fugitives and Refugees' - Chuck Palahniuk
Just What is it That Makes Yesterdays Homes So Different, So Appealing?
Everything Counts - The Sound of Geography Collapsing.
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