Useless Proclamations for a Beautiful City
The London Architecture biennale is underway, and it's already managed to set a depressing new low. 'Proclamations for a Beautiful City' is an 'installation' by Alain de Botton. Apparently it is 'questioning the role of the architect in creating beauty in the city. The series of proclamations are posted on the outside of the Yard Gallery, directly onto the street.' Get that - directly onto the street! how raw! Actually, it's a few quotes from his tedious new tomb 'The Architecture of Happiness'. The installation itself looks worse than Costcutters, the neighboring discount supermarket. Perhaps there is in an intended irony: chastising architects for forsaking beauty whilst using cheap and ugly design. I wouldn’t bet on it though, as it is written without humour but with the tone of voice of a sanctimonious shitcock. Take this for example: “The duty of the architect is to make it beautifulâ€. Who on earth would use the word ‘duty’ in relation to a job in the 21st century? Does this ridiculous pseudo-intellectual imagine himself to be in the 18th century? What fantasy does this cotton-mouthed pundit live out? And why are the letters made to look like they are 3D, suggesting eternal profundity - though thankfully this will be in the bin before the month is out. What is it about architecture that attracts such ill-informed opinion? Institutions such as the RIBA and the Architecture Foundation are so star-struck and crippled with self doubt that they let self appointed gas bags – like Alain, or hammy TV presenter Kevin McCloud - onto their stages, into their events calendars as a kind of bait to attract genuine ‘members of the public’. My objection is not that it is comment from outside the profession. Quite the reverse, as these characters seems to come across as though they were pretending to be an architect – acting out a hollow parody which only serves to re-enforce the most clichéd of ideas. These always believe that architectural concern should be some kind of vague poetic guff: ‘light’, ‘space’ ‘form’ – rather than a whole range of other things. It re-affirms the lie that architecture is somehow separate from everything else. I would argue that most architects don’t understand what architecture is supposed to be about, but at least they appreciate and understand the process. These self-appointed outsider experts often argue that their ignorance, their ill-informed position is an advantage as it mirrors the man-in the street. It’s simply a fraudulent way of dressing up their personal likes and dislikes as something more universal, of trying to add weight to their opinion by adding meringue. They also act as though they have stumbled upon an unremarked culture, like an Elizabethan explorer reporting back to court. They don’t know that architecture is perhaps the most comprehensively dissected of professions: thousands of magazines and journals, from the archi-porn of Wallpaper to obscurist Marxist pamphlets. It certainly isn’t something you can pick up by leafing through a couple of Sunday supplements. Alain de Botton suggests that Herzog & de Meuron are worth watching. No shit, Alain. But he also thinks Calatrava is great – which is where he reveals the moronic level of his understanding, and his inability to avoid being sucked into simply regurgitating half digested current mainstream opinion, PR puff, and in-flight magazine froth. At least we won’t have to put up with this hack-philosopher, this airhead-eggheads homilies-dressed-up-as-erudition for too long. One can bet that Alain is only here to promote his book, carpet-bagging the current vogue and interest in architecture before he flits off to milk another unfortunate sphere of life.
It’s the sheer vacuity of these pronouncements that is astounding.
Fundamentally, at its heart is mean hearted conservatism: nosey, interfering and obstructive. 

Posted by anothersam at June 20, 2006 1:21 PM.
Contents:
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Generic Powerpoint Template: Delivering Bad News
The Best New Building In London
Book Review: The Infrastructural City
The Michael Jackson Monument Design Competition
Now Showing: John Baldessari Sings Sol LeWitt
Obscure Design Typologies: Life Guard Chairs
Osama bin Laden Cigarette Lighter: Novelty Products as Congealed Culture
Absurd Car Crashes: A Eulogy for J.G. Ballard
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This Concrete 'O': On Serotonin, the M25, and the Motorik Picturesque
Church of the Literal Narrative
Philadelphias Floating Architecture
Now Viewing: Married To The Eiffel Tower
Le Corbusiers Image Hoard: Poeme Electronique
Giant American Signs: Original Learning from Las Vegas Footage
Giant Soviet Signs Cut Into Forests
Bricks Melted Into Icicles: Napalm Decorative
C-Labs 'Unfriendly Skies' & 'Bootleg' Volume
2 The Lighthouse: Self Storage & Architectural Hallucinations
Ceci N'Est Pas Une Pipe: Infrastructure as Architectural Subconcious.
Viva Sectional Cinematography!
Now Showing: The Installation of an Irreversible Axis on a Dynamic Timeline
Sim Seasons Greetings! The Rise of Neo-Winter
Geography in Bad, Festive Drag.
Simulations of Industry: High Tech Architecture and Thatcherism
From The Factory to the Allotment: Tony Wilson, Urbanist
Koolhaas HouseLife / Gan Eden: The Revenge of Architectural Media
Ruburb-ric: The Ecologies of the Farnsworth House
Telly Savalas Looks At Birmingham Redux
Acts of Un-Building: Timelapse Demolitions
Yard Filth: Next Years Hot Look
Stonehenge: A Black Hole At The Heart Of British Architecture
The Popemobile: Mechanised Robes & Motorised Architecture
The Secret Language of Surface
Information Fields: Agriculture as Media
My Bloody Valentine: Sound as Substance
A Cubist Copse: Gehrys Serpentine Pavilion
Spouting Off: Some Thoughts On The Fountainhead
Form Follows Dysfunction: Bad Construction & The Morality of Detail
Vintage Tradeshow Surrealism: International Grune Woche
Moving Houses: Buildings In Motion
Desktop Study: The Strange World of Sports Studio Design
Married to the Eiffel Tower: More Objectum Sexuals
60 Years of The Crazy Horse Memorial
Married to the Berlin Wall: "The Best and Sexiest Wall Ever Existed!"
Inflatable Icebergs: Sublimated Guilt Has Never Been So Fun
The Cinderella Effect: Phantom Architectures of Illumination
Two Deaths and a Retirement: The Strange Shape of British Architecture
If London Were Like New York: Antique Schizo-Manhattanism
If London Were Like Venice: Antique Geo-Poetic Speculations and Hydro-Fantasy
41 Hours in an Elevator: The Movie
NASA: Mapping the Moon with Sport
Lemon Squeezy: Design Tendencies after the Juicy Salif
The Nihilistic Beauty of Weapons Arranged in Patterns
Dogs: Britains Greatest Design Obsession
Detroit Sucks: The Motor Shows Last Gasp
Authentic Replicas: Football and the Franchising of Place
Folk Football: Landscape, Space and Abstraction
A Wishing Well with a Fat Up Pipe
The Camoufluers and the Day-Glo Battleship
Pseudoccino: Instant Coffee Foam
Blown Up: More Inflatable Military Stuff
On Christmas Trees, Folk Forests and Staples Office Supplies
Hampton Courts Shrouded Sculptures
Named Fabric: 20 Sponsored Pieces of Architecture at the New Museum
Form Follows Felony: The Secret Home of the Un-Dead Canoeist.
Architectural Magazines: Paranoid Beliefs, Public Autotheraphy - More on Clip/Stamp/Fold
James Bond Lives Next Door: Suburban Imagery as Industry
The Ghost of Christmas Futurism
Chapters for an Imaginary Book About Architecture
Shrouded Plinth - Urban Striptease
In the Night Garden - Surreal Landscape of Nostalgia
Kim Jong II, The Great Architect
Place Faking: Instant Heritage for the Thames Gateway
The Marc Bolan Memorial Crash Barrier.
Enjoy The Silence: Bose Noise Cancelling Headphones
Telly Savalas Looks At Birmingham
In Search of Britains Vehicular History
Scary Suburbanism: Why Horror is at Home in the Suburbs
I Like Your Manifesto, Lets Put it to the Test-o
How to Become a Famous Architect
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The Velvet Underground at the Glass House
Duplikate: Kate Moss on the Production Line of Individuality
Hollow Inside: Starbucks Foam and the Rise of Ambiguous Materials
Revisions to the Architecture of Hell
Crufts: Dogs, Design and Aesthetic Genetics
Eos Airlines: Executive Bubbles over the Atlantic
Google Earths Vertiginous Mapping
Church of the Ascension and Descension
Reyner Banham Loves Los Angeles
Reading Lines: Skateboarding and Public Space
Chris Cornish: Prototyping History
The Most Visited Location in the UK
Anything to Feel Weightless Again: The Cargo Lifter and the Tropical Island Resort
'Its beauty will know no season'
2000 Years of Non Stop Nostalgia. Or How Half Timbering Made Me Whole Again.
Backpeddling into the Future: The Historical-Futurism of British Architecture
Miss Selfridges' Feeling for Fake Snow. The Oxford St. Lights and Why We Need Artificial Winter
New Tory Logo: A Hazy Shade of Politics
Jeff Koons, Rem Koolhaas, Hans Ulrich Obrist at the Serpentine
Celebrity Scents: The Bittersweet Smell of Success
Imperfect Pitch - Football, Space and Landscape
Product Placement: Making the Impossible Possible
Suburban Growth: Matthew Moores Field of Dreams
Perfect Sound Forever: The Secret Function of High End Stereos
A Little Light Product Placement
Some Advice To A Young Designer
Useless Proclamations for a Beautiful City
Topsy Turvy VSBA: Inverted Heros of an Upside Down Avant Guard
Everything Flows: ideological cartography
How Geostationary Was My Valley?
The Psychotic Utopia of the Suburbs and the Suburbanisation of War.
In a Lonely Place - Under Construction
Mach 3 Nitro Gel - Design that's foaming at the mouth.
Marchitecture. Architectural things to do in London this March
What happens when you cross a pen with a car?
Football Pitch: Best of British
The First Cut is the Cheapest - Blenheim Palace: pop architecture that goes for the jugular
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Holiday Snap: Canadian War Memorial, Vimy, France
Anatomy of an Architectural News Story
Its All About the Big Benjamins
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The Exploding Concrete Inevitable. Lou Reed and the Casa da Musica
Untitled (Plastic Sack and Timber)
Berlin 1945 - The Obscene Picturesque
Interview: Jeremy Deller & Alan Kane
An Incredible Smell of Roasting Coffee
Langlands & Bell - The House of Osama Bin Laden
Architectural Criticism gets Sharp
Venturi, Scott Brown and my love that dare not speak its name.
Douglas Coupland: Design and Fiction
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Everything Counts - The Sound of Geography Collapsing.
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